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us. The decorative arts is traditionally
a term for the design and manufacture of functional objects. It includes
interior design, but not usually architecture. The decorative arts are often
categorized in opposition to the "fine arts", namely, painting,
drawing, photography, and large-scale sculpture, which generally have no
function other than to be seen.
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| Makar Decoration Ganpati Kalyan Call 09324213478 |
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| Makar Decoration Ganpati Kalyan Call 09324213478 |
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| Makar Decoration Ganpati Kalyan Call 09324213478 |
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| Makar Decoration Ganpati Kalyan Call 09324213478 |
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| Makar Decoration Ganpati Kalyan Call 09324213478 |
The distinction between decorative and fine arts has essentially risen from the post-Renaissance art of the West, where it is for the most part meaningful. It is much less so when applied to the art of other cultures and periods, where the most highly-regarded works often include those in "decorative" media, or all works are in such media. For example, art in many periods and places consists entirely of the decorative arts, as does the art of many traditional cultures, and in art the distinction is less useful. The distinction is unhelpful for Early Medieval art, where although "fine arts" such as manuscript illumination and monumental sculpture existed, the most prestigious works, tended to be in goldsmith work, cast metals such as bronze or other techniques such as ivory carving. Large-scale wall-paintings were apparently much less regarded, relatively crudely executed, and rarely mentioned in contemporary sources; they were probably seen as a cheap but inferior substitute for mosaic, which in this period must be treated as a fine art, though in recent centuries contemporary production has tended to be seen as decorative. The term "ars sacra" ("sacred arts") is sometimes used for medieval Christian art in metal, ivory, textiles and other high-value materials from this period, though this does not cover the even rarer survivals of secular works.
Modern understanding of the art of many cultures tends to be distorted by the modern privileging of fine art media over others, as well as the very different survival rates of works in different media. Works in metal, above all in precious metals, are liable to be "recycled" as soon as they fall from fashion, and were often used by owners as repositories of wealth, to be melted down when extra money was needed. Illuminated manuscripts have a much higher survival rate, as there was little value in the materials and they were easy to store.